Showing posts with label fabric. Show all posts
Showing posts with label fabric. Show all posts

Tuesday, December 8, 2015

Rheinstein Got New Slips!

Does everyone shop at One Kings Lane? Even just window shop? Recently, well - semi-recently they started doing features on designers, showcasing rooms and homes, usually private. A few days ago, they posted an interview with Suzanne Rheinstein, owner of Hollyhock, about her Christmas décor. While the décor: fresh greens, pinecones, cloved oranges and ornamental cumquats, is absolutely lovely, what I immediately noticed was that Suzanne had gotten new slipcovers! Her home has had a few published variations. So I thought that it'd be fun to see how the room has been transformed with fabric. Indulge me, won't you!?


Going way, way back. Suzanne's Hancock Park living room decked out in pattern over pattern over pattern, chintz, chintz, chintz, and color galore! Very 80's - but still high end. Then, she and her husband, also an avid collector of antiques, purchased the antique divan that we begin to see having a recurring center room role. In December of 1993, the room stole the cover of House Beautiful for their Christmas issue:



A little while later, however, the room got a much more serene and subdued color palate. No furniture changed, well, not much of it anyway - but the upholstery did. The internet was in place by now, and the room sorta spread like crazy. People loved it! And why wouldn't you?

 
The color went from persimmon to glacial green. The art moved to make way for a butler's desk, the antique Aubusson carpets made way for one, much larger seagrass rug, the Scalamandre taffeta curtains made way for these, much less fussy ones, and the room began to open itself up. The furniture was reupholstered, but for the most part, all of the pieces in the room stayed put, except for the addition of the French bergere chairs that are fireside.

 
Some gilded pieces came in, upholstered in a sumptuous velvet. A pair, actually.
 

 
And with those, a few other things came too. New winter carpets, the seagrass rolled away til' summer in favor of this oriental.
 
 
Back now, probably in the summer, the seagrass is down, and the velvet chairs have stayed. That divan still looking gorgeous in it's tailored stripes. Then, all of the furniture was fitted for slips, and wow, what a change!
 
 
First there was no seagrass. It was just about the wood and the fabric. Because this look was and is probably (well, until you see the new slips!) the most popular there are no limit to the number of photos you can find showing off this beautiful slipcovered space.
 
 
 
 
 
 
It seems that at different points Suzanne moved around the chairs in the room, maybe just for a little change here and there, but again, for the most part, slipcovers did all that she needed. No huge re-design, no spending additional thousands in new furniture, no regrets about selling the pieces she used to own. She bought what she loved, and she gave it new clothes to suit her taste in that moment. That, my friends, is the transformative power of a slipcover. It has nothing to do with helping cover ugly furniture, or a lower cost alternative to upholstery, or masking bad upholstery - even when you have amazing furniture, slips can be a less expensive way to change the entire face of the room - for a week, for a month, you choose. 
 
And now, for the new slips!
 

 

Beautiful right? You're wondering what the fabric is, aren't you!? Well, maybe some of you know this already. But for those of you who do not, it's Lee Jofa's: Garden Roses, designed by Suzanne and part of her collection with the fabric powerhouse, sold at her store Hollyhock, for $196/yard.
 

This colorway, Beige/Aqua is one option, but there is a second, called Lime/Leaf, and a discontinued colorway: Buff/Sage. If you are a fan of Suzanne's work, or if you follow along with the once a year Greystone Mansion transformations, you've already seen this fabric in a room by Rheinstein, way back in March of 2009 when Veranda covered the Greystone Showhouse that year:
 
 
 
I'm really in love with the new slips at Suzanne's house, and I'm glad she's embraced chintz in her home again. What say ye? 


Wednesday, July 23, 2014

Framed Chinoiserie Panels


Before the perfect house popped up on the radar and ruined my train of thought, I was talking about changes I was making to the décor in our master bedroom. Remember? I think we left off with the idea of using this beautiful York wallpaper mural as a sort of Gracie imposter, framed in panels on either side of the canopy.

I don't know about you - but when I come up with these ideas, I typically look for inspiration photos. So, that's what I did. Not surprisingly, there were dozens upon dozens of examples, likely because wallpapering a room in hand painted chinoiserie wallpaper will cost you a small fortune. Panels are a much less costly, but equally beautiful solution if you have the desire without the dollars.

Design by John Loecke, Inc.
 
What I loved about this room, beyond the sheer controlled chaos of that gallery wall, was how the small scene from that vintage wallpaper stands out, even against all of the other patterns in the room. 
 
Design by Betsy Burnham
 
Betsy Burnham probably spent the equivalent of enough paper to do this entire hallway on the framing for these two panels, but you can see how much impact they have in this space. I often wonder how people navigate their urge for art when they've spent so much on paper. Do you bite the bullet and hang atop the paper? Do you give in and let the paper do all the talking? With framed panels you don't have to worry about that. They become your art, instead of the backdrop.



Design by Bonesteel Trout Hall 
 
A similar situation to how I'll end up showing my framed panels. I love how simply they're framed. 
Design by Suzanne Rheinstein

And again, you can't show framed panels without showing Suzanne Rheinstein's living room. Here again, simply framed, they're perfect. I have wondered what this room would look like if papered entirely in the deGournay paper, and I honestly don't think it'd have the same appeal.

Design by Martha Mulholland
 
This antique grisaille panel is framed beautifully here, floating against a white backdrop behind the glass and antique gilded frame. Again, framing is not only a cost effective option - but one that will allow you to use that small fragment or limited quantity paper.  
Design by Martha Mulholland

Typically, the paper is sold in panels 18 - 22" wide. While you could apply the panels to a board to widen the vignette, it'd be as simple to do what Martha Mulholland did in this bedroom, framing each panel and hanging side by side.

Design by Kelee Katillac

Design by Maison Luxe
 
This deGournay wallpaper is beautiful, and very expensive. I've seen it done on entire walls, and it's quite lovely. But here, in a pale dining room, simply framed, flanking glass french doors - I think it shows best. 
 
 

Design by Tracery Interiors

More grisaille paper. I like too how framing paper, even if it's not an expensive hand painted paper like this one, gives you an opportunity to have art the precise size you're looking for. You can not only choose your overall height, but the width as well.


Design by Miles Redd

In this show house, Miles Redd used several framed Gracie panels, throughout the room, and had no problem hanging art, mirrors, and sconces over it. One of my favorite scenes from this room is this one:

Design by Miles Redd

The abstract art against the wallpaper just seems to work, doesn't it? Mark D. Sikes didn't hang atop his new bedroom paper from Gracie, but rather leaned a piece of abstract art against it:

Design by Mark D. Sikes 

There's something about that pairing ... almost like Chinoiserie and Suzani, like we talked about before, that just seems to work.


Design by Mary McDonald

Mary used framed panels on either side of the bed in this bedroom, a staging effort for the multi-million dollar renovation her one-time boyfriend, John Bersci oversaw. Perhaps that is why she chose not to paper the entire room? It occurred to me that this would be a great opportunity for those of you who may not be in your own home, or even your "forever" home. If you're going to invest in wallpaper before you invest in your house framing might be the way to go. You can at least take it with you!

Design by Mary McDonald

If you chose not to frame it, you could always have a screen made, like this one, which Mary did for a show house. I think this is another great idea, and could easily be done with wallpaper or even fabric panels.


Design by Brooke & Steve Giannetti - Velvet & Linen
 
When Brooke, who writes Velvet & Linen, needed to cover the recess for their family room television, she chose this Gracie paper and had it installed on three panels. 
 
Design by Mark D. Sikes
 
And here again, Mark framed paper from Gracie for this Legends window at Hollyhock, themed from his interpretation of the book "Orient Express". I loved this space ... but you know I'm crazy for blue and white. Speaking of perfect pairings, check out that les touches fabric from Brunschwig & Fils against the chinoiserie paper!
 
Design by Mark D. Sikes
 
The fabric isn't crazy expensive (not when you really think about how expensive some designer fabrics have become) at $145/yard retail. But, since we're talking about options ...
 

Charlotte Moss for Fabricut
 
I had to draw your attention to this fabric that Charlotte Moss designed for Fabricut. Some of the line is still carried at Calico Corners, this fabric named "Fanny" isn't available in every color on their website. The two they have (ivy and sycamore) are on sale for $21/yard. You can still find other colors online though, for less than $30/yard at fabric superstores like this one.