Saturday, October 1, 2011

Oh Boy-sporus!


No, not my house, not my dog. It's from www.calicocorners.com, one of my favorite sources for fabric. Not only do they have a fantastic website, chock full of inspiration and pages and pages of fabric, but all of their stores are a joy to shop, and quite frankly, they employ people who know what they're talking about - which is always a plus, right?


A few years ago, while shopping their website, I came across a fabric they = incredibly = have been able to carry all this time. Bosporus in flax, by Covington. Now, I know you've seen it before - it's been photographed in magazines millions of times and used by tons of design bloggers. I have decided to use just a small bit of it in our Master Bedroom - which I've been working on today. But I wanted to share some inspiration pictures and ask my blog friends what you think of some design ideas I've got for the bedroom. You along for the ride? Here we go!

Gorgeous bedding collection at a big price-tag, $2500!! But it's beautiful - just a bit too much for what we're looking for in our bedroom. Although the fabric has a blue base, and very masculine colors, it can be quite feminine when it's used in such a mass.
I prefer it used as an accent fabric, like Deserae from Peeking Thru the Sunflowers blog used in her beautiful guest bedroom. I plan on using it as a large lumbar pillow along the width of the bed. Just like Joni's Bennison plaid pillow in her bedroom:


So, we know how I'll use the fabric. A nice touch, right? A small portion to make it feel more like antique tapestry, instead of mass produced fabric available by the yard. And in a collection of bedding consisting of a beautiful light blue diamond quilted coverlet and shams, and this beautiful linen number:

At just $99.99 for the king option, this Simply Shabby duvet cover and shams is a beautiful, neutral duvet perfect for just about any room. It'll also coordinate beautifully with the linen of the bosporus. But the bigger dilemma is the positioning of a random window in our room. For years, I've fought the urge to cover it up, but now I'm going to push through and orient the room the way I've always wanted to, which means I need to hide the window.

Remember when I showed this bedroom during our Tuesday series?

It's beautiful, right? And it makes me wish I had one of those super sized bedrooms that allows for a loveseat, or two chairs. But alas, back in 1920, they didn't lounge in the bedroom. At least not around here! So, nix the loveseat! Take a look at that canopy. What do you think?

Thursday, September 29, 2011

More Gilded Chairs ...

I've been reminded that I am not showing enough of CDLV, and I promise that I have a good reason. I can't share it right now - but I'm sure you're reading between the lines. I've got the house literally turned upside down, making it picture ready and it's a daunting task given my current schedule. Still, I have plans to post almost exclusively about CDLV in the coming months, and I hope that you all find it as inspiring as I hope you will.

I took the time to get one chair gilded on Monday, and would have gotten them all done had I not been met with a rainy day today. I can't tell you how much I love it, and how stunning it will be in the dining room. Thank you Suzanne Rheinstein for the great idea! :)

Since I'm really into the look right now, I figured why not share some of my favorites from the inspiration file ... in hopes that some of you might bite the bullet and grab the spray paint, and glazes, and get started on gilding a few chairs of your own. Enjoy!




Now, one of the reasons that the gilded chairs work as well as they do in my dining room is because we have antique gold finished 1910-1920 deco light fixtures. When I started to work on them I used this photo as my gild inspiration:
So far, I've been able to achieve this perfectly by spraying the existing walnut stained chair with Krylon Metallic Gold spray paint, then quickly painting over the dry spray gold with FolkArt 658 Antique Gold Metallic craft paint, then rubbing down with Martha Stewart Medallion metallic glaze, and finally, a rather messy paper-towel destroying rub down with burnt umber craft paint mixed with a tad bit of water. And voila.

You're expecting a picture of my chair, right? Sorry! I promise they'll be worth the wait! See you soon!

Tuesday, September 27, 2011

And We're Back!

I'm back from Texas, and although the trip truly was too short, I got to see old friends, my brother and most importantly my mother, and got some much needed relaxation. I did some shopping, well, actually lots of shopping and lots of reading - my two very favorite things!

I took a few of my design books, including Suzanne Rheinstein's AT HOME, and came back with a fresh perspective on my dining room. Something much needed, as I've been fighting with idea after idea ending up with nothing but a tired ticker. Suzanne's own Los Angeles Home is featured in the book and the living room has me thinking ...





Gorgeous right. Stunning traditional furniture, much of it antique, slipcovered for summer with these beautiful ballet tie striped slips. Now, although the slips are amazing, perfectly tailored to the unique lines of the furniture, I was and am inspired by the many gilded finishes on the chairs.

The same room - without slips for winter. Can you see the finish on those french bergere chairs? Beautiful antique gold gilding, probably with applied gold leaf and wax, gives those chairs such a beautiful and almost magical quality.

Our dining room is small, and I finally got a new round table to play off the very square room. The table, draped with a beautiful burlap floor length skirt with jute fringe from Ballard Designs  in a rich chocolate brown, coordinates perfectly with my floor to ceiling silk taffeta chocolate drapery. But with the antique sideboard, and the original unpainted woodwork, it was too much brown. So, I've been toying with the idea of chairs of a different color. I thought gray initially - and tried it, but it didn't look good. Now I'm thinking gold, or perhaps, a rougher finish - copper, or antique brass.


Most of the furniture in Rheinstein's Hancock Park living room belonged to her husband's parents. Even here, in the 1980's living room when they first moved into the house, the gilded furniture is present but a little harder to discern.

But she must love the look, because when she and her husband decided to buy a Manhattan apartment, she used antique gilded chairs in the sitting room:

Beautiful, right? Now I'm off to figure out how to recreate these stunning finishes inside of my budget ... and after this trip, that's a lot smaller than usual!

Tuesday, September 20, 2011

Tuesday: Inspiring Spaces by Shazalynn Cavin-Winfrey


So how many of you watched HGTV's Showhouse Showdown after the Design Star Finale last week? I couldn't watch it immediately after, so I had to record it, and am I ever glad I did. I've watched the recording at least 3-times, soaking up the genius work of Washington DC designer: Shazalynn Cavin-Winfrey. If you hadn't watched the show, the premise goes a little like this: 2 area designers design 5 rooms in 2 identical new-build homes with a budget of ($70,000+), and the public decides who wins. The winner has their design portfolio featured on HGTV's Designers' Portfolio.

I had initially scheduled a different designer for today, but after seeing the show and falling in love with SCW, I had to share some of my favorites from her portfolio with you right away! The above bedroom was from the HGTV show, and I think, was a crowd favorite, helping to land her the win.



What's not to love, really? The Schumacher Chenonceau wallpaper is stunning. And though it comes in several different color ways, I love the fawn color SCW used in this bedroom. So enveloping, and the perfect back drop to her painted furniture, crisp white bedding, and soft green/taupe striped tester canopy. This whole room is a lesson in working with pattern on pattern, and reminds me of another fabulous inspiring designer, Mary McDonald ... don't you think? More rooms from Showhouse Showdown:




There are no showhouses like this around here, but that's probably because builders can't afford such large budgets. Still, while the high-end upholstery and wall coverings are certainly a beautiful addition, and lend incredibly to the overall luxury of the space, a lot of these rooms could be copied for less. Much less. It's the color story, the pattern play, and the space plan that I think are the real lesson here - as with any Tuesday post. Don't get discouraged if you can't afford to wallpaper an entire room in $272/roll wallpaper - be inspired, and then color outside the lines a bit. Get creative! Now that your creative juices are flowing, here's a little more inspiration from Shazalynn's HGTV Portfolio, enjoy - and remember, for her full portfolio visit her website here: http://www.scwinteriors.com/

Love this cozy bedroom, also featured in 2010 Cottages and Cabins:






This same kitchen was part of SCW's Renovation Home Fall 2011 spread:


And this beautiful vignette, part of a room featured in Better Homes and Gardens, 2007:

Saturday, September 17, 2011

Thanks MSN

MSN is my homepage at the office, and every once in a while the slideshow they have lands on a decorating article, that I can't help to break the rules and click on. This morning, that slideshow had the title: The Biggest Decorating Mistakes ... a snip from House Beautiful with the undercaption: What do designers see in people's houses that always drive them nuts? Here are the top seven decorating don'ts.

These things always make me think about whether or not I make "common" decorating mistakes - so, let's see what they had to say, shall we??


1. Overzealous Decorative Painting Decorative painting can be a beautiful addition to a space, but knowing when to stop is key. "Brilliant painting is elegant and polished, but go too far and you end up with vulgarity," says designer Mary Douglas Drysdale.

Well, Mary Douglas Drysdale - I have to agree, but I once was an overzealous decorative painter, odd finishes, too! I once had a hallway that the bottom half was torn brown paper bags that I wallpaper pasted in a random pattern and then used walnut stain to cover to give a leather look. Not bad, but when I did a fresco painted wall with crumbling corners with bricks and moss peeking through - that was too much. Oh how I had no clue back then. I'd never even think about doing that now.

On another note, the painting at CDLV is just two walls away from being COMPLETELY FINISHED! Yay! I can hear you all cheering! Pretty soon I can come out from under the veil and show you what's been happening around here! You're gonna love it - as I promise there are no decorative paint finishes. (On the wall, anyway!)

2. Overhead Lighting "There's nothing worse than bright overhead lights that make you feel like you're onstage," says designer Barclay Butera. He recommends using dimmers and soft white bulbs in every room, including bathrooms. "Lighting shouldn't wash down on you: It's harsh and unflattering," he says.

Although I agree, I have to tell you (from personal experience) it's hard to get a room clean when you have no overhead light. My living room is like hunting for beetles in the dark. No, I don't have a bug problem, it's only a metaphor.

3. Candles Clustered Together Designer Albert Hadley, who decorated this New York apartment with designer Harry Heissmann, believes "a more balanced aesthetic" is achieved when candlesticks are spread out around a room. "Candlelight, like open fires, has a certain allure — one of warmth and romance. To me, it's most alluring when the light is spread around the room," he says. "In other words, separate the candlesticks!"


I wonder if he's talking to me!?!?!? Did you see my living room in the Buffalo News Mr. Hadley? I'm so sorry! As a note, the mantle isn't set up like this ... but I do like the look of candle sticks together, it's pretty - and a source of heat when I'd rather have a zebra hide rug than pay the electric bill, so I'll keep making that mistake.

4. Furniture Pushed Up Against the Walls Don't create a living room seating arrangement that makes conversation difficult. "I am often dumbstruck by the way people arrange their living room furniture. So much wide-open space, pieces plastered against walls, chairs too far apart," says designer Whitney Stewart. She believes the answer is simplicity. "The guiding principle should be to create intimacy. How can you have a good conversation when you have to shout across the room? I imagine the sofa talking to the chairs, the chairs talking to one another," she says.

I can't do this, darned rooms don't have any walls to push furniture against. However, the moment I do move to a house that has free walls, I can tell you my furniture will be pushed against the walls like little soldiers so I can do backflips in the living room! (Ok, not really) But I do agree. Nothing worse than walking into a place where the furniture hugs the walls, I mean there could be a dead body in the room - just don't have furniture against the walls! It's that serious!

5. Out-of-Proportion Lamps "Lamps that are completely disproportionate sizes on either ends of a sofa — that makes me crazy," says designer David Kleinberg. "Don't try to get too creative. Keep it simple," he says.

Scott buys the weirdest lamps. Seriously - we have dancing tuna fish lamps! Where the heck he found them I'll never know. He's so into things that are sometimes downright ugly - don't know what that says about me, I must of picked him! - but we have a few lamps that would be out of scale no matter where you put them, (unless of course, I opened up a strip club for tuna.)Thankfully, the walls of my basement are not as picky as Mr. Kleinberg.

6. Karate-Chopped Pillows Don't make your living room pillow arrangement too formal with fussed-over pillows. Designer Steven Sclaroff can't live with karate-chopped pillows. "That look would never occur in pillow nature," he says.


I do it. I admit it! But really, I like it! I can't help myself. Also, Pillow Nature? What the heck is he talking about? I'd like to think that in the land of linen and down, where pillow forms are free to roam and graze the many fields of lavender febreeze, that they prefer to have such an architectural 'V' in their form. So, if you agree with me please leave a  comment so I don't feel like I'm along here! P.S., More of those clustered candlesticks again! Maybe I ought to re-think this designer thing, huh?

7. A Single Light Source The key to good lighting is layering it at different heights. "Don't rely on only one kind of light source. Mix a variety of overhead and floor or table lamps," says designer Alan Tanksley. "Warm 'pools' of light draw people in and create intimacy."
Agreed. However, I understand that when you live in an old house (and I do) that's lucky to have one outlet per room, and no overhead lighting, sometimes you're stuck with what you got. Case in point, my guest bedroom. Some people give their guests water and fresh towels, I give them a flashlight and say, "Good Luck, there might be beetles in there, too!!!"

So there you have it - I make mistakes. Apparently common mistakes that would drive these designers nuts. And the whole time I write this (with a smile, I might add) I think, I'd never have any of them over anyway. Enjoy your weekend!

Tuesday, September 13, 2011

TUESDAY: Inspiring Spaces by Stephanie Wohlner

Over the past year I've given you these Tuesday posts, highlighting all sorts of designers, most of who are insanely famous, and have scores of blog posts all about their portfolios. Today's post is a little different. I happened upon the work of Stephanie Wohlner in a Late Summer 2009 magazine Meredith Publications produced simply called, "Decor". The spread of her work in the magazine was 8-pages of sheer genius, in combining a pretty eclectic high rise in Chicago.

An allied member ASID, and graduate of Harrington School of Design in Chicago, Stephanie has been designing residential interiors for over 15 years. And while her work has been published in House Beautiful and Traditional Home, there aren't a lot of photos of her magnificent portfolio on the Internet to inspire us.

Definitely one to watch, Stephanie's style is a mix of traditional and contemporary, mixing textures and periods; bringing them together with her unique taste, ultimately creating timeless rooms with an effortless look. Enjoy:









I just had to show this picture of Stephanie from her website: http://swohlnerdesign.com/, I think she looks just like Sonja Morgan of the Real Housewives of NYC, don't you? Beautiful - and great shoes! Check out more of Stephanie's portfolio here!